“I will write if I survive”: An evening with Ukrainian author Alina Sarnatska

How much do you know about what it’s like to be a writer in Ukraine? Nothing? Then you are like me — before last night. Recently, I became a member of the Swedish Writers’ Union (SWU), and I immediately began receiving emails to interesting events, including an invitation to a talk and mingle with Ukrainian … Continue reading “I will write if I survive”: An evening with Ukrainian author Alina Sarnatska

A song of melancholy and last-chance hope: Why I wrote “The Last Dice”

In September 2011, I found myself unexpectedly wandering the streets of Istanbul. I say “unexpectedly” because there was revolution in Syria, a growing social uprising that would eventually ignite an all-consuming civil war. Security concerns had made going back to the city of Aleppo, which is where I had expected to be, impossible. Click to … Continue reading A song of melancholy and last-chance hope: Why I wrote “The Last Dice”

Why I wrote “American Troubadour” — and why the song is more relevant than ever

If you want to listen first and then read the article, go to Spotify, YouTube, or Apple Music (and other services). Or listen free at this website: AmericanTroubadour.com. Every time I tried to tell you the words just came out wrong, so I’ll have to say “I love you” in a song. — Jim Croce, … Continue reading Why I wrote “American Troubadour” — and why the song is more relevant than ever

Loyalties: A framework for how I intend to engage in the public sphere

Towards the end of this article, I present a list of my fundamental loyalties, defined as the intellectual commitments guiding my participation, writing and speech in the public sphere. Why am I doing that? To model transparency. To be clear, both with myself and with others, about what I intend to do, before I start … Continue reading Loyalties: A framework for how I intend to engage in the public sphere